Facing the text : extra-illustration, print culture, and society in Britain 1769-1840
2017
096.1 P393 2017
Available at Main Library
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Title
Facing the text : extra-illustration, print culture, and society in Britain 1769-1840
Published
San Marino, CA : The Huntington Library, Art Collections, and Botanical Gardens, 2017.
Description
xi, 407 p. : ill. (chiefly col.), ports. (chiefly col.) ; 27 x 29 cm.
Call Number
096.1 P393 2017
System Control No.
(OCoLC)883391311
Note
Includes bibliographical references (p. 352-398) and index.
Contents: Pt. I. Getting your heads in order: engraved portrait collecting and the origins of extra-illustration. "Of collectors of English portrait prints" -- Genteel authorship, the community of the antiquarian text, and the invention of extra-illustration -- Portraiture, order, and meaning -- John, Lord Mountstuart and the ends of the Bull Granger -- Pt. II. From domestic retirement to a commercial marketplace: amateurs, antiquaries, and entrepreneurs. "Retirement, rural quiet, friendship, books" : amateurism and its trophies -- Charting the craze: Anthony Morris Storer and Richard Bull -- The Strawberry Hill Press and the rituals of bibliographic exchange -- Antiquarian topography or armchair tourism: Thomas Pennant's "Labors" -- Popularizing Pennant's London: how the art world sold extra-illustration -- Pt. III. The Sutherland Clarendon: gender, the print market, and national heritage. "Buried beneath its own grandeur": understanding the Sutherland Clarendon -- The cut and thrust of the print market in the early nineteenth century -- Women, widowhood, and collecting: Charlotte Sutherland's inheritance -- Monumentalizing the Sutherland Clarendon : between rhetoric and content, 1820-1839 -- The female connoisseur and the private catalogue -- A "national work" completed : the Sutherland Clarendon and cultural heritage -- Epilogue: rethinking the past, securing the future.
L2018M82
Contents: Pt. I. Getting your heads in order: engraved portrait collecting and the origins of extra-illustration. "Of collectors of English portrait prints" -- Genteel authorship, the community of the antiquarian text, and the invention of extra-illustration -- Portraiture, order, and meaning -- John, Lord Mountstuart and the ends of the Bull Granger -- Pt. II. From domestic retirement to a commercial marketplace: amateurs, antiquaries, and entrepreneurs. "Retirement, rural quiet, friendship, books" : amateurism and its trophies -- Charting the craze: Anthony Morris Storer and Richard Bull -- The Strawberry Hill Press and the rituals of bibliographic exchange -- Antiquarian topography or armchair tourism: Thomas Pennant's "Labors" -- Popularizing Pennant's London: how the art world sold extra-illustration -- Pt. III. The Sutherland Clarendon: gender, the print market, and national heritage. "Buried beneath its own grandeur": understanding the Sutherland Clarendon -- The cut and thrust of the print market in the early nineteenth century -- Women, widowhood, and collecting: Charlotte Sutherland's inheritance -- Monumentalizing the Sutherland Clarendon : between rhetoric and content, 1820-1839 -- The female connoisseur and the private catalogue -- A "national work" completed : the Sutherland Clarendon and cultural heritage -- Epilogue: rethinking the past, securing the future.
L2018M82
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