A view of the attack against Fort Washington and rebel Redouts near New York on the 16 of November 1776 by the British and Hessian brigades. [facsimile]
1895
P&E L2006D33f [mod]
Available at Main Library
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Title
A view of the attack against Fort Washington and rebel Redouts near New York on the 16 of November 1776 by the British and Hessian brigades. [facsimile]
Published
New York Society of Iconophiles 1895?-1925?
Description
1 photomechanical print : hand colored ; on sheet 36 x 52 cm.
Call Number
P&E L2006D33f [mod]
Note
With attached facsimile of a handwritten "Explaination of the View," on sheet 16 x 20 cm.matted 47 x 61 cm.
Battle scene, showing troops along the battle lines in the farm fields, artillery positions in the woodlands, and troops in rowboats coming up the river. Rectangle with narrow single line border at the edge and wide single line border 1/16. Title in handwritten script below the watercolor.
Thomas Davies, the artist, was a British artillery officer, who eventually attained the rank of major-general. He painted several watercolors of battles during the Revolution, including Fort Ticonderoga, and several battles in New York and New Jersey.
This print is embossed with the seal of the Society of Iconophiles in New York, 1895, in the lower right corner next to the title. This organization was formed by members of the Grolier Club, who were particularly interested in prints detailing the history of New York City. The Society published prints, such as this one, between 1895-1925.
Original watercolor is in the I.N. Phelps Stokes Collection of American historical prints at the NY Public Library.
Digitized image available, see URL
Battle scene, showing troops along the battle lines in the farm fields, artillery positions in the woodlands, and troops in rowboats coming up the river. Rectangle with narrow single line border at the edge and wide single line border 1/16. Title in handwritten script below the watercolor.
Thomas Davies, the artist, was a British artillery officer, who eventually attained the rank of major-general. He painted several watercolors of battles during the Revolution, including Fort Ticonderoga, and several battles in New York and New Jersey.
This print is embossed with the seal of the Society of Iconophiles in New York, 1895, in the lower right corner next to the title. This organization was formed by members of the Grolier Club, who were particularly interested in prints detailing the history of New York City. The Society published prints, such as this one, between 1895-1925.
Original watercolor is in the I.N. Phelps Stokes Collection of American historical prints at the NY Public Library.
Digitized image available, see URL
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